After the dominant models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, in this text Hal Foster argues that we are now witness to a return to ... » 

After the dominant models of art-as-text in the 1970s and art-as-simulacrum in the 1980s, in this text Hal Foster argues that we are now witness to a return to the real - to art and theory that seek to be grounded in bodies and sites, identities and communities. «