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Sue Harriss reading of the films of Bertrand Blier the enfant terrible of contemporary French filmmaking is as provocative as some of the works themselves. In the most complete study of Bliers work to date Harris traces the directors career from the early 1960s until the present outlining the forms themes and style which dominate his work and challenging the many labels that have been used to describe both the corpus of films and the man himself. Sue Harriss reading of the films of Bertrand Blier the enfant terrible of contemporary French filmmaking is as provocative as some of the works themselves. In the most complete study of Bliers work to date Harris traces the directors career from the early 1960s until the present outlining the forms themes and style which dominate his work and challenging the many labels that have been used to describe both the corpus of films and the man himself. Sue Harriss reading of the films of Bertrand Blier the enfant terrible of contemporary French filmmaking is as provocative as some of the works themselves. In the most complete study of Bliers work to date Harris traces the directors career from the early 1960s until the present outlining the forms themes and style which dominate his work and challenging the many labels that have been used to describe both the corpus of films and the man himself. «
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