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I consider this book a precious report that permits one to assimilate some ofthose simple and basic principles which the selftaught at times come to knowyet only after years of groping and errors. The book furnishes informationregarding discoveries which the actor can understand in practice withouthaving to start each time from zero. Thomas Richards has worked with mesystematically since 1985. Today he is my essential collaborator in theresearch dedicated to Art as Vehicle. from the Preface by Jerzy Grotowski «
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